It’s 40 years since David Bradbury made his first film Frontline about the legendary Neil Davis.

It was David’s first film which he made without any formal training in filmmaking – his application for the first intake of the Australian Film and Radio Television (AFTRS) was rejected. So being who he is, he decided to make a film anyway, and ‘show them!’.

He struck it lucky in meeting Neil Davis, a cameraman and journalist during the Vietnam War, who generously gave of himself and his life’s experience. Neil’s story became a seminal film on the responsibility and moral dilemmas journalists and photographers face in covering frontline action in war.

Over the past four decades, David has done his best to live up to Neil’s shining example in showing courage and determination to use the camera to tell the stories from around the world of those who have no voice; those who have no access to the First World’s mainstream media and propaganda machine.

David has relentlessly pursued other people’s cry for freedom and independence from repressive colonial exploitation and domination. In his film Nicaragua No Pasaran, he exposed the CIA war against the Sandinista revolution.  In Chile Hasta Cuando? he exposed the brutality of Pinochet’s dictatorship. In his film about controversial journalist Wilfred Burchett – Public Enemy Number One – Bradbury revealed the horrors of the atomic bomb and the price one pays for going against the conservative mainstream media’s narrative of what the world should be.

Other issues David has pointed his camera at to bring a different perspective to the Australian public include East Timor,  Aboriginal cultural alienation and dispossession (State of Shock and Jabiluka), his anti-nuclear films (Blowin’ in the Wind, A Hard Rain), anti-war (The Crater), and protecting the environment (Loggerheads, Shoalwater Bay: Up for Grabs, Wamsley’s War, Battle for Byron).

For the last three years when he’s not been shooting and editing social media stories to protect the rainforest, challenge local development, promote climate strikes and other important issues (see Facebook), David has been developing a three part drama series (a departure from documentary!) on the disappearance of 23 year old Michael Rockefeller in 1961 in what was then Dutch New Guinea.

Michael (in photo) was the son of the very rich and powerful Nelson Rockefeller, then Governor of New York and three times Presidential hopeful who headed up the famous family dynasty whose wealth was and still is, based on oil.

Michael was collecting wood carvings for his father’s Museum of Primitive Art when his canoe capsized off the coast of New Guinea and he swam for shore, some 7miles away. Never to be seen alive again.

For the last twelve months, we have been collaborating with a writer (after much research) to develop a treatment and script. We are nearing a final draft and are now ready to begin the next phase of the project.

David and his partner Treena Lenthall are making a bold trip to Papua New Guinea and Indonesia in two weeks time to find locations and establish relationships with locals for potential cast and crew in preparation for production (The Shoot!).

As much as possible the trip will be documented with postings on Facebook and Instagram.


Return air tickets to PNG  have been bought with a generous donation made by Bill and Michele Pursche who have supported David’s work for the last 20 years.

However we still need help and in a last minute appeal to our supporters we are asking BIG!

David needs a new video camera. The cost is approximately $4000.

Plus there are extra expenses such as accommodation, internal travel, fixers and other incidentals that crop up when you are on the road. Our budget for this will determine how far we can go with our objectives for the trip.

All donations are tax deductible through the Frontline Film Foundation. Make a donation now

Making films is not a cheap exercise. David no longer gets the support of the underfunded ABC or other film agencies. We rely on our supporters to help realise these important films.

Exclusive access: Anyone making a regular pledge this month to the Frontline Film Foundation will receive access to David’s latest clip about West Papua – an interview with former Reuters correspondent Hugh Lunn who covered the Act of Free Choice in West Papua in 1969. 


David Bradbury is a national treasure. Sad to hear of his struggle to produce his wonderful work. 

Diana, Pottsville NSW

In response to North Coast ABC radio interview on 23 February 2018.

The Frontline Film Foundation is committed to making environmentally aware and consciousness-raising films. We are a registered charity and rely totally on donations to help independent filmmakers produce high quality films that speak to the times we live in.

These projects are seeking financial support.

America and Me

A filmmaker’s critique of the American penchant for Empire.

learn more

That Cuban Film

Shifting feet, shifting times – life, love & dance in a changing Cuba.

learn more

Dylan’s Story

A raw and intimate portrayal of a father and son’s epic journey into mental illness, drug addiction and recovery.

learn more